Posts Tagged ‘Work-in-progress’

Hail all noble space station sanitation engineers and hygiene technicians, time for a small update on proceedings.

Progress has been a bit slower over the last two weeks with lots of other things going on. ShadowBlade, especially, has been preoccupied so there has not been much change on the maps.
There has been some advancement, though, and we are expecting to be able to get back up to full speed moving on from next week.

In the meantime, here is some work in progress
The supply vending machine:

This new machine (ignore the fugly placeholder mesh) will be able to provide the janitor with all kinds of equipment needed to clean up or repair and replace damaged parts of the facility.
If those pesky marines blew up all the video monitors or stole all the medical supplies, this is where the replacements would come from.
It can also provide new lanterns for working in the dark or anything else we come up with down the line.
In keeping with our design of having minimal HUD and on-screen UI, we have a system for putting the UI on a panel on the side of the machine. These in-world UI panels can be operated using the janitor hands.

Welding Laser:

The laser will be used for repairing bullet holes, scratches and other types of damage or deposits that the mop can’t deal with. It may also have a few other nifty uses and devious traits.

There has also been work on improving the mopping and bucket when cleaning up scorch marks.

As always, there are also many other fixes and smaller changes and plenty more to come before the next version.

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Hail ya’ll!

So, we’ve been plenty busy on Viscera Cleanup Detail since it was Greenlit (thanks again!!). We’ll be getting another update out soon, but in the meantime, here is a progress report on what’s been going down.
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We’ve got a bunch of new systems in progress which are functioning already (but need plenty of polish still). These are:

-Bullet holes/scratches/etc and support for repairing them with a laser tool. The laser can also make it’s own holes if you’re clumsy
-Fires. These can breakout when smashing lanterns or overworking your laser tool. This will be expanded as we go.
-Vending machine. Here you can order new pieces of equipment. This is still in it’s infancy, but it’s going well. It even has a nifty “on machine” UI.
-Scanner. This little tool can help you detect shell/bullet casings and viscera.

Other things:

-Radio. Fairly straightforward but adds some atmosphere. Next step is for us to find the right sounds for it to broadcast
-Key bindings. Yep!

On the content side, we’ve been working on the new “medical bay” environment. We’ve got a whole bunch of meshes complete, but more to go still, and plenty of textures.
Here are some shots of it’s basic structure and look, still very much subject to change. Also, there are many meshes not yet added in

And there we go! We’ll try and be more consistent with these progress reports from here on

Thanks everyone!

As ever, please consider pre-ordering it while you can!
Pre-Order now!

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It’s been too long since I did the last ’roundup’. I really am rubbish at this Anyway, enough despair!

Plenty of things have been happening quietly behind the scenes since the last update, including a new trailer and a Greenlight page!

Firstly, please vote for Rooks Keep on the Steam Greenlight page. You can find all the images on there too.

I will now briefly document improvements and similar such otherworldly things. So, head deeper down to view videos, images, links and details!

Read the rest of this entry »

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In what I hope is the start of a regular series, we’ll summarize in this convenient feature, Rooks Keep updates, improvements, additions, etc. This shall be the first into the fray; a brief overview of the current state of affairs, alongside plenty of pretty pictures and videos.

Also, you won’t see much on Chess in this post, as I’m focusing on the more recent developments.

Well then, read on to see what’s happened over the last few months of development:

Read the rest of this entry »

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Greetings minions!

Our blog’s been a little lazy here unfortunately, so I’ll strike it with an insightfully intriguing post on the Rooks Keeps character content pipeline. I won’t go into the specifics of actually creating the content, rather focussing on the work inside UnrealEd. This doesn’t include the rather large coding side of things either; it’s simply the content side of things. That’s somehting for another section entirely.

So, let’s start at the beginning then.
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Firstly, we design the character, followed by the concept art for it. DC does the concept art and modeling for the character, then the UV’s and then renders up all the required maps that I will need for texturing (Normal, Ambient-Occlusion, Cavity and Wireframe). Once texturing concludes, I’ll do the rig and create the required animations, sounds and anything else specific to the character (such as masks).
Once all the work outside of UE is finshed, it’s time to get it all ready for the game. And that’s the stuff I’ll list and explain here.
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-Meshes:
The characters are made up of several meshes, and also require other objects for various gore and FX related purposes.

• Character  [The actual character mesh/rig]
• Weapons  [The weapon(s) and other attachments that the character holds in their hands]
• Head  [This is a character specific head gib used for gore]
• Gibs  [These are a global set of gibs used for all characters. These include both flesh and metal pieces]

-Textures: [Often a character has more than one material slot]
The character requires a fair number of textures, which includes the usual Diffuse/Specular/Normal set and extras such as masks and emissive maps. The textures (primarily the masks) will often have various color channels dedicated to specific material functions, which will be listed here as “RGBA=”.

• Diffuse  [This is the characters primary color map and sets the overall look of the character]  [A=OpacityMask]
• Specular  [This sets the 'shininess' of the character texture]
• Normal  [The normal map appears to add extra detail to the mesh, by performing some voodoo magic]
• Emissive  [This map indicates areas of the texture that are unaffected by lighting, and is often used to make areas glow]
• MaterialMask  [We use this texture to set various properties on the characters material, such as reflection intensity, specular power and others]  [R=Reflection G=SpecularPower B=Fresnel A=DetailNormal]
• Color Mask  [This mask indicates which areas of the character can be colored by the in-game color chooser. It also sets where blood appears]  [R=PrimaryColor G=SecondaryColor B=WeaponBlood A=SprayBlood]
• Gore Mask  [The gore mask indicates specific areas used by the gore system]  [R=Decapitation G=FootBlood B=InjuryBlood]
• Footsteps  [These are bloody footstep textures used as decals when a character walks through a blood pool]
• Head Gibs  [The textures used by the head gib meshes]
• Gibs  [Gib textures]
• Decals  [Blood decals used for various gore requirements, such as spatters, explosions, pools and drips]
• Particles  [These are the textures used by the various particle systems, including gore and weapon effects]

-Animations:

• Walk
• Run
• Charge  [A walking sequence used when a piece is in combat with another]
• Idle
• Idle one-shots  [Idle sequences to break up the otherwise looping idle animation]
• Blocking
• Quick Attacks
• Slow Attacks
• Parry: Left / Right / Up / Down  [Each piece requires a parry sequence in each basic direction]
• Quick Attacks Parried  [These sequences are used when the attack of the character is parried by the enemy]
• Slow Attacks Parried  [These sequences are used when the attack of the character is parried by the enemy]
• Death: Stab / Slash / Decapitated / Fried
• Pain
• Dodge

-Sounds:

• Pain[Beasts]
• Effort[Beasts]  [Used when the character attacks and performs some other movements]
• Die[Beasts]
• Impacts  [These are sounds of weapons successfully hitting characters. They come in both flesh and metal variants]
• Footsteps  [These include various foot types on various surface types]
• Swing Weapon  [Played when weapons are swung]
• Attacks  [Character attack sounds. Right now, these are used by the Bishops of both sides]
• Parry Attack  [The sound played by the attackers weapon when it is parried]
• Enemy Parry  [Played by the victims weapon when it successfully parries an attack]
• Weapons on ground  [Played by weapons left by dead players as they are moved around]
• Corpse Impacts  [Sounds of dead bodies been moved around by other players]
• Blood Splats  [When blood hits a surface]
• Decapitation  [The joyous sound of a head leaving it's owner]
• Gibs  [Gib impacts with surfaces]
• Heads  [Decapitated head impacts with surfaces]
• Explosion  [When a character explodes]

-FX:
-Particles

• Gore Slash
• Gore Stab
• Gore Smash
• Gore Decap
• Gore Explode
• Gib Trails  [Blood particles flicking off flying bits]
• Weapon Impacts  [Played when weapons parry]
• Weapon Drips  [Blood drips from bloody weapons]
• Weapon Trails  [Trails left by weapons swinging through the air]
• Attacks  [Effects used by certain attacks, such as the Bishop fire and lighting]

-Decals

• Blood Pools
• Blood Splats
• Blood Footsteps
• Gib Impacts
• Blood Explosion

-Other/Miscellaneous: These are some of the other, equally important, elements that need to be added:

Material
The primary material/shader of all characters. This blends all the character textures and masks into the final shader that is applied to the meshes.

Material Instances
These are instances of the main character material that simply change variables from it’s parent.

AnimTree
The ‘AnimTree’ handles most animation functionallity, animation blending, and is used for other features such as: Shrinking head bones for decapitation and Foot placement IK.

Physics Asset
The Physics asset is used for Ragdoll physics and other physics based calculations and collisions.

Mesh LOD’s
The main character mesh also requires 3 extra LOD’s to improve performance when required. These can, fortunately, be generated inside UE.

Sockets
Sockets are locations placed on meshes that are referenced by code.

• Neck [Spawns a head stump mesh when decapitated]
• HeadGore [Gore particle spray upon decapitation]
• Three Weapon Edges [These are used by weapon FX trails, referenced by animation notifies]
• Weapon Sockets [Held weapons]

Notifies
Notifies set events during animation sequences, such as when to play trails left by weapons as they swing and when to play footstep sounds.

Cloth
Physics calculated cloth objects, such as the cloaks on the King and Queen of the ‘Knights’ faction.

Physics Material
Physics materials set various properties on meshes and physics objects.

SoundCues
Sounds Cues are used to blend together various sounds, tweak volumes, attenuation and other audio properties. Almost all sounds played are SoundCues.

Map Based Environment/Reflection-maps
We’ve added support to character materials, that allows them to search for map-specific reflection maps.
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Whew! And that’s that for now! As you can see, a lot of work goes into each character piece, and this doesn’t include the actual content creation and coding for them.

I trust you found this insightful, useful or an otherwise educational experience. If, on the other hand, you were bored stiff and angry by the end of it.. Hahaha! Sucker!

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That’s right, there have been some big changes to Rooks Keep! The beasts set has been implemented in-game, the UIs are starting to look wicked and music is starting to go in, but the biggest change of all has been to the combat.
The combat system has been given a total overhaul so instead of having limited movement in 1vs1 combat, players will now be able to roam freely around the arena in third person and engage any number of enemies. This opens up lots of crazy new game possibilities including mass battles against many other players and bots, invasion game types and large team battle. BlackEagle is busy right now working on realizing these new gametype possibilities.

With this, player controlled combat is now the primary focus of Rooks Keep, putting chess into the backseat. If you can’t imagine how the game works, to try to give you a general idea of what exactly Rooks Keep is; basically, Rooks Keep is a bit like Unreal Tournament with swords!

Also not minor is that the Beasts have been added. This means there are now 12 characters in-game to engage in various flavors of brutal asymmetric combat.

Screenshots:

Don’t let the wild character colors frighten you, we’ll be attending to those as we go.
Also notice ShadowBlade’s new UI graphics compared to the previous shots of the UI I posted.

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Greetings everyone!

I’ve not shown much of my own work here on the blog, but today I decided to render up some of the animations I’ve been doing for the Beast side in Rooks Keep.

These Beasts were much quicker for me than the ‘Knights’ side i’d already done. The Knights were the first real character anims i’d ever done (with the exception of some sequences for Crucible UT3). I had to get the hang of some of the more advanced rigging aspects, requirements for the engine and the game itself, and then finally tackle the animations themselves.

To start off with, here is the Pawn from the Beasts in action. You can see the walking(forward), parrying at various angles and some quick attacks on display here. Each piece in the game thus far, requires about 30 separate sequences for the combat system to look proper neat

And here is the Beasts Bishop doing his thing. Similar to the Pawn, he features moving(forward), parrying (which will probably also include some neat FX down the line) and some attacks.

I’ll post more short videos in the coming weeks, and try to document more of the goings on on my side

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Time for a small update while we wait for some bigger stuff.
Right now, there’s a lot of crazy stuff going down on the gameplay side of things and I’ll post some shots of the finished Queen when I get round to rendering them. Very soon, we’ll have nice shots of the beasts in-game too, but for now here’s something else.

Rooks Keep will not be using Scaleform. Instead, it will be using our own custom built in UnrealScript GUI. The reason for this is because, well Scaleform is probably great for large teams which can find someone who just does flash coding and give them a job. Web coders are more easily available then UScript coders, so that makes sense. Unfortunately, this makes the whole job much bigger and you still need someone to do the UScript side of things. For a tiny team which has more experienced UScript coders, Scaleform and having to go through another interface between the UI and the game doesn’t make much sense.
That’s the reasoning, but probably a bigger contributor is that BlackEagle didn’t like working on Scaleform and we figured we could make a simpler, more solid and totally ass kicking UI system ourselves!

I already had a widget system that was used for organizing the HUD and some primitive UI controls in the game, so I upgraded its design for a full UI system and iterated. At the moment, the system is well developed and functioning quite nicely.

Here is the placeholder main menu we’ve been using:

Those are just placeholder graphics and not all those options will be there like that in the real version.
Unfortunately, you can’t see the animations or hear the sounds it plays in that shot.

Here you can see some more bits.

There you can see that it has tab controls, lists, a test drag thing and a drop down list. Nobody appreciates how much goes into dropdown lists, but they are tricky little buggers!

For now, its looking a bit primitive, ShadowBlade is working on the real graphics for our UI and its gonna look a whole lot better! We are aiming for something similar to what you’d expect of a GUI in Blizzard’s games. Similar in style, simplicity and solidness!

Some cool things about our UI system:
It supports materials and all the effects that come with them!
Simple and direct interface with game.
Opacity and fading effects.
WidgetMods. These are not too simple to describe, but they allow designers to apply all kinds of modifications and effects to UI widgets such as animation, fading, sounds, texture layers, material layers, text and even custom things.

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Every faction needs a leader. For the beasts, we ellected a shining, magnificent beacon of glory to be king. We elected someone who would embody all that the iconic king stands for.

It just so happens that the beasts have a bishop as well and here is the creature that is the bishop of the beasts. Don’t worry, it doesn’t bite… or scrath… or use evil magic… unless it does.

How about some scupltures… Behold the olympian physique of a champion warrior and leader, but for now heres king blubber bag:

This is the bishop in shades of brightened black:

Just one more to go…

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Ok, the Rook and Pawn meshes for the Beasts side have been finished for a while and sitting around begging to be shown, so I finally decided to finish off the HD renders and actually post them.
here we have the finished Ogre (Rook) HD mesh:


This guy has all the finesse of a drunk elephant. He’ll obviously enter into diplomatic discourse and use that menacing club to outline all the important points.

Next up, you can see my the next installment in my ongoing quest to master muscles. This is the Pawn. You can call him the “Ratman”, but he doesn’t really like that.

Well, there you have the the first three beasts. It was quite a bit of work (learning more about muscle structure, especially on the forearms), but it got more fun as I learnt. Hopefully you like them.

Here are some shots of how the initial meshes were built:

And the Pawn:

And these for good measure:

Next up, the King and the Bishop…
Can anyone guess what they’ll look like?

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